Choosing Drum Set Mics

drum set mics

The best drum set mics are those that have both high fidelity and versatility. They are small enough to use on any drum set, and are also designed to capture sound without distortion from high SPL (sound pressure level) sound sources. You can buy a good set of microphones for around $500, and the results can be quite impressive. However, you may want to get some advice from a professional before you make your purchase.

The first thing you should know about a drum mic is that it should be placed a little off center on the drum. This allows you to capture the low end and get a better sound. In some cases, you will find a mic placed inside the kick drum. If you are looking for a good snare top mic, you can’t go wrong with the Shure SM57.

Another thing to consider when selecting a drum set microphone is the size and type of the drums. A big snare drum can be a bit unwieldy, so a mic that is close by will give you more control. Close-micing a snare will yield more control over your mix and a crisper attack. To achieve this, the snare should be at least three inches from the head. Alternatively, you could place the snare a couple of inches on the batter side.

Getting a nice sound on a drum kit isn’t always easy, but it doesn’t have to be. With a little practice and some experience, you can capture a world-class sound. Even if you aren’t a drummer, there are still some techniques you can learn to help you get the best possible sound.

When it comes to a good drum sound, it is important to capture the room. You can do this with a single room microphone or with a pair of stereo ribbon mics. You can also take advantage of a microphone’s ability to reverberate, which can help you achieve the reverberant’spark’ you’re looking for.

You can also use a small diaphragm condenser. These will provide a more open sound, but only for drums that have strong dynamics. Using a dynamic mic is also an excellent option for any source that has a lot of energy.

It is also a good idea to pick a pack with multiple mics. For example, a pack with a Kick Out and a PL35 is an excellent choice. Both of these microphones have great applications and can easily be mixed and matched to create the perfect sound.

The PL35 has a unique physical design that makes it a great all-around snare mic. Other features include a clever snap-on drum rim clamp, a super-fast transient response, and a new angle for miking toms.

You may also be interested in the AEA R88 or Telefunken M82, both of which are good stereo ribbon mics. Each has a different sonic signature, so you can choose the one that will fit your sound best.

The e-V ND68 is another example of a high-fidelity drum mic. This mic has a cardioid polar pattern, which means it will pick up a great snare.